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Riki Goldstein
EndNote
Riki Goldstein
EndNote
Riki Goldstein
EndNote
Riki Goldstein
EndNote
Riki Goldstein
Eyes That Saw Angels
Would we spend the rest of our lives wondering why we’d hadn’t contacted the myriad of magical figures living in our midst?
Dovi Safier and Yehuda Geberer
Eyes That Saw Angels
Venerable individuals still among us share their recollections of personal encounters with yesteryear's giants
Dovi Safier and Yehuda Geberer
What a Year Can Do
As a new year dawns, what did we learn — and how have we changed?
Dean Robert Goldschmidt
What a Year Can Do
As a new year dawns, what did we learn — and how have we changed?
Adrian Garbacz
Symposium
Candid takes from people who made the move
Mishpacha Contributors
Symposium
Some of this generation’s most sought-after mentors offer insight on navigating the challenges, dilemmas, and victories of the ben Torah in today’s workplace
Mishpacha Contributors
Parallel Journeys
I look at my face in those pictures and see my innocence: How I thought things would stay that way forever, sharing a journey with Etty, sharing our lives.
Faigy Schonfeld
Parallel Journeys
Good girls don’t ask, I was told
Esty Mandelbaum
Recipes
"It’s a sweet and relaxing tune, and I’m still singing it today” "I liked singing to my kids the vintage “Hamalach,” from Yigal Calek’s tenth anniversary album with the London School of Jewish Song. Several young composers had their work released on that album, and “Hamalach” was composed by Dudy Rosenberg, who had been a
Rivky Kleinman
Recipes
"It’s a sweet and relaxing tune, and I’m still singing it today” "I liked singing to my kids the vintage “Hamalach,” from Yigal Calek’s tenth anniversary album with the London School of Jewish Song. Several young composers had their work released on that album, and “Hamalach” was composed by Dudy Rosenberg, who had been a
Rivky Kleinman
More EndNote
EndNote

“The title track, ‘Madreigos,’ brings me to tears”

By Riki Goldstein

EndNote

“My dream is to see the music that I’ve produced and been a part of performed live on stage by a large orchestra”

By Riki Goldstein

EndNote

Can you count eight days of miracles?

By Riki Goldstein

EndNote

“Over the years, I’ve come to appreciate the talent it takes to write lyrics and combine them with a tune that really brings out the meaning of the song”

By Riki Goldstein

EndNote

“Whether I’m dealt a hand of chesed or strict justice, I’ll sing to You, Hashem”

By Riki Goldstein

EndNote

The arrangements for “Anavim,” however, presented a challenge — so far, nothing had worked — but Tyberg had his own idea for someone who could rise to it

By Riki Goldstein